“Come Home When the Street Lights Come On!”Īs a retelling of Burr’s childhood, F Is for Family traces the experience of Generation X, those born between the mid-1960s and the early 1980s. While the setting and the characters on the show are fictional, they represent actual historical moments, distinguishing the show as unique for its kind by depicting the tangible struggles and sensibilities of the 1970s. elites, or Rick and Morty, which presents a nihilistic message that gets buried in fantastical space-time adventures and parallel universes, F Is for Family is a snapshot of real life-not only as Burr’s childhood, but of the Seventies malaise experienced by real Americans.
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Burr wanted to animate the decade when “you could smack your kid, smoke inside, and bring a gun to the airport.” Animation series with bleak overtones are all the rage, but unlike shows such as BoJack Horseman, which wallows in preachiness and follows self-important characters relatable only to wealthy L.A.
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A dark comedy, the show portrays childhood in the 1970s from a realistic perspective without relying on clichéd Seventies tropes like platform shoes or lava lamps. Released as a Netflix original series in 2015, F Is for Family follows the Murpheys, a fictional working-class suburban family based loosely off the life of comedian Bill Burr. "The Unbearable Weight of Massive Talent," $3.9 million.Delivered as a talk at the Ohio University History Graduate Student Association Conference | March 22, 2019Ī Cartoon That Doesn’t Make the Seventies Cartoonish "Everything Everywhere all at Once," $5.5 million.Ħ. "Fantastic Beasts: The Secrets of Dumbledore," $8.3 million.ĥ. Final domestic figures will be released Monday.Ģ. and Canadian theatres, according to Comscore. The film, an existential metaverse action comedy starring Michelle Yeoh, has had unusually long legs in theatres, and with $35.5 million in sales so far, ranks as one of indie studio A24's biggest hits.Įstimated ticket sales for Friday through Sunday at U.S. The brightest spot in theatres currently continues to be "Everything Everywhere all at Once," which dropped just two per cent in its sixth week of release with $5.5 million. Studios last week trumpeted their summer slates at the industry convention CinemaCon, raising expectations for big-budget films like "Top Gun: Maverick" and "Jurassic World Dominion." release will effectively kick off Hollywood's summer season, one the industry is hoping will approach pre-pandemic levels. The eighth-place "Memory" was the only new wide release on a quiet weekend in theatres ahead of the Friday release of Marvel's "Doctor Strange in the Multiverse of Madness." The Walt Disney Co. "Moviegoing activity is improving, but 'Memory,' as well as 'Blacklight' and 'The Marksman,' are hitting a wall."
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Gross, who runs the movie consultancy FranchiseRe, wrote in a newsletter. "Neeson's pre-pandemic crime pics did well, including the successful `Taken' series, but audiences are showing little interest now," David A. But either due to oversaturation or lackluster reception ("Memory" has a 30 per cent "fresh" rating on Rotten Tomatoes"), a once dependable box-office force has gone cold. The last Neeson thriller to make a dent was 2019's "Cold Pursuit," which debuted with $11 million and ultimately grossed $62.6 million worldwide. In the past two years, "Blacklight" (a $3.5 million debut), "Honest Thief" ($4.1 million) and "The Marksman" ($3.1 million) all opened similarly. That's much in line with the last few films staring Neeson. The Open Road-Briarcliffe Entertainment R-rated release launched with an estimated $3.1 million in 2,555 locations.
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The latest Neeson thriller, "Memory," however, was mostly forgotten by moviegoers. The film, adapted from Aaron Blabey's kids' graphic novel, has helped reignite family moviegoing.Īpril moviegoing was largely dominated by Paramount Pictures' "Sonic the Hedgehog 2" - which stayed in second place with $11.4 million, bringing its cumulative total to $160.9 million - and "The Bad Guys," with $44.4 million in two weeks. "The Bad Guys," distributed by Universal Pictures, made US$16.1 million in ticket sales in its second weekend, holding well with only a 33 per cent drop from last weekend. and Canadian theatres for the second straight weekend, according to studio estimates Sunday, while the latest Liam Neeson thriller suggested the actor's particular set of skills may be wearing thin with audiences. The DreamWorks animated heist movie, "The Bad Guys" was the top film in U.S.